Seat 31: Zooey Zephyr

After Zooey Zephyr’s expulsion from Montana’s legislature, she made a nearby bench her “office.”
by
Film Length(s)
14
Closed captioning available
Remote video URL

Introduction

After Zooey Zephyr’s expulsion from Montana’s Legislature for defending transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s intimate filmmaking transforms this shocking political moment into a portrait of trans and queer joy.

Synopsis

This portrait of the first transgender Legislator in Montana during a fraught political moment brings out the best in Zooey. She seems to be an expert in emotional jujitsu, transforming insults and injury into positive energy that fuels her as a happy warrior and lets her not only survive, but thrive. Seat 31 isn’t just a handbook for politicians. It’s a guide for anyone stuck in our politicized and polarized world who still wants the fundamental thing we see in others to be, quite simply, their humanity. Seat 31 does what film does best, allowing viewers to see that humanity, witness a new world, and sit next to Zooey during surprisingly intimate moments.

The sensitivity of this verite film was generated by trans director Kimberly Reed and her small crew, followed by collaboration with the queer editing duo Michael Palmieri and Donal Mosher (Gospel of Eureka). Seat 31’s style and surprisingly broad narrative arc have been acknowledged with many Jury and Audience awards for Best Documentary Short, including multiple Oscar-qualifying festivals, and been selected by leading predictors of the Oscar Short List.

Director Commentary

When I heard that Zooey Zephyr wasn’t being recognized to speak from the floor of the Montana House of Representatives because of her comments about healthcare for transgender youth, I knew I had to return to my hometown to capture the political division and suppression aimed at trans folks like Zooey and me.

I expected to see lots of attacks, but I was also thrilled to see how Zooey, and her partner Erin Reed, responded to mean and juvenile attacks with a spirit that was generous, open-hearted and unwaveringly optimistic. I thought we might be able to make a film that focused not on the suffering of trans and queer folks, but rather on the joy and love we all experience. Zooey made that an easy story to tell – I just had to follow her and focus on her natural state of being, all the way to Queer Prom!

Features and Languages

Film Features

  • Closed Captioning

Film/Audio Languages

  • English

Subtitle/Caption Languages

  • English
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