See Memory

A painter uses art to explore memory, PTSD, and breakthroughs in neuroscience. (PBS Broadcast Premiere 2025)
by
Year Released
2022
Film Length(s)
15 mins
Closed captioning available
Remote video URL

Introduction

See Memory is a 15-minute hand-painted animated film by painter and filmmaker Viviane Silvera that visualizes how memory is formed, altered, and stored in the brain. Composed of more than 30,000 original painted frames, the film translates key ideas from contemporary neuroscience into visual metaphor, exploring the difference between explicit and implicit memory and the brain’s capacity to change. Designed for educational and facilitated settings, the film offers an accessible introduction to memory, trauma, and healing through art.

For the expanded 30-minute PBS broadcast version, visit www.seememoryfilm.com.

Featured review

Viviane Silvera’s See Memory isn’t just a poetic reflection on memory; it’s a true collaboration between art and science, and the result is haunting, intelligent, and beautifully disorienting. Created alongside actual memory researchers, Silvera’s short film pulls from real-world cognitive science to explore how we remember and, more importantly, how we misremember.

There’s rigor behind the beauty, a real grounding in the complex science of memory formation and distortion.

See Memory is a beautiful thing, a film that stimulates both the heart and the mind.
Kent Hill
Reviewer, Film Threat Magazine

Synopsis

See Memory is a 15-minute hand-painted animated film that explores the science of memory through visual storytelling. Created by painter and filmmaker Viviane Silvera, the film is composed of over 30,000 original painted frames animated through stop-motion, offering a poetic and accessible way to understand how memories are formed, altered, and carried in the brain—particularly in the aftermath of trauma.

Grounded in research from leading neuroscientists, including Nobel Laureate Eric Kandel, See Memory translates complex scientific concepts into imagery rather than exposition. The film focuses on the reconstructive nature of memory, illustrating how remembering is not a static replay of the past but an active, malleable process. Through shifting colors, evolving brushstrokes, and changing visual rhythms, the animation mirrors the brain’s movement between explicit memory—the memories we consciously recall and narrate—and implicit memory, the emotional and bodily traces that often remain outside of awareness.

Rather than presenting interviews or clinical case studies, See Memory uses art itself as the explanatory language. The absence of live action allows viewers to engage with the material on an intuitive level, making the film particularly effective as a grounding tool, reflective prompt, or entry point for discussions about trauma, healing, and neuroplasticity.

The 15-minute version is designed for educational, clinical, and community settings, where it has been used in university classrooms, narrative medicine programs, and trauma-informed workshops. Its modular length allows facilitators to pair the film with discussion, writing, or mindfulness practices.

A separate 30-minute PBS broadcast edition of See Memory expands on this work through live-action interviews with neuroscientists and clinicians, additional scientific discoveries, and extended narrative context.

Information about the PBS version and public programs is available at www.seememoryfilm.com.

Reviews

"See Memory is a stunning dramatization of the complexity and emotional power of human memory. In a visual and narrative journey that is as haunting as it is insightful, the film offers nothing short than an entirely new way of imagining memory, trauma, presentness, and emotional experience. Its beauty is matched only by its brilliance. See Memory should be required viewing."
R. John Williams
Associate Professor, English, Film and Media, Yale University
"As a neuroscientist who studies how emotional memories are represented in the human brain, I was thoroughly impressed by the film's insights about the dynamics and subtleties of memories, and I was deeply moved by the artful way these ideas were expressed. The filmmaker was able to express scientific concepts and biological mechanisms of memory using art. During the last decade there has been tremendous interest in the science of memory, particularly in light of new discoveries on the biology of memory storage and retrieval, which may allow modifying traumatic memories. See Memory expresses these ideas in a very intuitive and artistic way."


Daniela Schiller, Phd
Director of the Schiller Lab, Mount Sinai Icahn School of Medicine
"The insights that are offered are both powerful and meaningful. I felt those insights washing over me like the different watercolor paintings as they flashed on the screen. This is a lovely presentation of profound ideas that are exceedingly difficult to explore in any medium, including film. The real genius of this film is a clever way of framing what are very profound statements, narrated in a careful, thoughtfully-paced way, against the backdrop of changing watercolor images."
Film Screener
D.C Shorts Film Festival
"New York City artist uses 10,000 painting stills to create animated film about the mind."
The title was inspired by Oliver Sacks’ article "Speak, Memory" and narration is based on interviews with neuroscientists and psychiatrists, including Nobelist Eric Kandel.
ArtDaily
ArtDaily
"Silvera puts memory into motion"
Nicole Teitler
Writer, Dan's Papers
"One memorable project
Arts & Living
27 East
It is truly a magnificent piece, “beautiful, ethereal, dreamlike.”
Simon Fortin
Lecturer, New York University
One of the most beautiful things I’ve ever seen. A real experience.
Dr.Paul Browde
Dr. Paul Browde, Columbia University, School of Professional Studies
Brilliant, incredibly profound and so beautiful
Jill Eikenberry
Actor and Producer
"The response has been outstanding. The film facilitates discussion about memory and the impact of both physical and psychological trauma on memory in a very humanistic and personal way. It allows viewers to reflect on and share their personal experiences. The film opens the door to understanding the science of memory and it promotes an understanding of personal trauma and equally important an understanding about the important role of the community in helping victims of trauma through their healing process. "
Silvana Riggio
Professor of Neurology, Psychiatry and Rehabilitation, the Icahn School of Medicine at Mount Sinai
"With over 30,000 painted stills, 'See Memory' is a visually stunning exploration of how memory interacts with imagination to shape our perspectives of the past.

Through interviews with neuroscientists and psychiatrists, including Nobel Laureate Eric Kandel, Viviane Silvera bridges art and science to communicate profound insights about memory.
Camila Dangot
Writer, Brown Art Review

Awards and Screenings

PBS Television Premiere May 2025
Edward Hopper House & Museum Award of Excellence
The Bill and Melinda Gates Foundation
The Friedman Brain Institute
National Streaming on PBS.org Spring 2024
Mental Film-ness Film Festival
Awareness Film Festival
Viten Film Festival
Blow Up Chicago Art House Film Festival
Big Apple Film Festival
Altspace VR Scenes & Screens Film Festival

Director Commentary

See Memory began as a question I couldn’t stop asking: why do certain memories soften with time, while others remain frozen in the body? As a painter with a background in psychology, I wanted to explore memory not as a story we tell, but as something we feel—something alive and changeable.

Rather than explaining neuroscience through interviews, I chose to let the paintings do the work. The shifting brushstrokes, colors, and textures mirror what research tells us about memory: that it is reconstructed each time it is recalled, and that emotional experience plays a central role in how memories are stored and reshaped.

This 15-minute film was created as a visual tool—something that could open conversation, invite reflection, and make complex ideas accessible without requiring specialized knowledge. My hope is that it offers viewers a gentler way to understand their inner experience and a reminder that memory, even when shaped by trauma, is not fixed.

Viviane Silvera

Features and Languages

Film Features

  • Closed Captioning
  • Director's Commentary
  • Transcript

Film/Audio Languages

  • English

Subtitle/Caption Languages

  • English
  • Chinese
  • Hebrew
  • Portuguese

Promotional Material

Promotional Stills

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