September 18, 2021
We began working together in 2018. I (Joe) spent early years in the music industry as a drummer and band leader, but later started a marketing company centered on a team-based structure and integrated marketing communications. In 2015 I launched the Getting Better Foundation, which focused on supporting media literacy education in schools and legislative efforts, building trust and resilience, and reducing polarization and racism. The film, TRUST ME, was a clear next step in our mission.
April 30, 2021
We are a Chinese American husband-wife filmmaking team from California who are passionate about empowering and educating others through film. We are actively working to broaden the way American history is taught and discussed so that it is more inclusive of the Asian American experience and other underrepresented groups. Prior to becoming a film director, I (Larissa) worked in the music industry for 20 years as a singer-songwriter and composer for projects like The Oprah Winfrey Show.
February 26, 2021
We (Olga Lvoff and Victor Ilyukhin) have been friends for many years. We met in college in Moscow and then found ourselves at the same graduate school in the United States. We share the same interests and have a mutual understanding of an artistic and ethical approach to documentary filmmaking. So, we came together to make our first collaboration on an important and often misunderstood mental condition, dissociative identity disorder (DID).
January 29, 2021
I am a documentary filmmaker based in the American Southwest. Since immigration issues are front and center here, my most recent documentaries focus on immigration and immigrant communities. My new award-winning short, Soledad, is a unique look at the asylum process told firsthand by an asylum seeker from Central America. This brave woman, along with an all-women legal team, fight for Soledad’s right to gain asylum in this country.
January 13, 2021
My film, The Search, explores Estela de Carlotto’s 37-year search for her long-lost grandchild after her daughter, Laura, was kidnapped and murdered during the Argentinean dictatorship that lasted from 1976 to 1983. In 1979, Carlotto became a member, and then President, of the Grandmothers of the Plaza de Mayo, an organization that worked to find the 500 children that were either kidnapped or seized from women in detention during the military dictatorship.
December 8, 2020
I am a journalist, filmmaker, writer, former campaign consultant for several members of Congress, and former Illinois press secretary for presidential candidate Gary Hart. My focus has been on labor and politics, and I have written for a number of publications including the Chicago Sun Times, the Chicago Tribune, the Cleveland Plain Dealer, the Nation, the Progressive, the Illinois Times, and the Huffington Post. Most recently, I turned to film to elevate and publicize an important story that has received very little attention from news organizations.
October 29, 2020
“We formed our production company, Philistia Films, to work together on innovative projects that bring awareness to stories that are often untold.” Ahmed, born and raised in a refugee camp in Gaza Strip, Palestine, is a documentary filmmaker who has worked as an organizer, translator, and guide for international journalists. His film work centers on issues affecting the Holy Land and the Palestinian diaspora. Jillian is a film producer focused on marketing and distributing socially-engaging documentaries.
September 18, 2020
I’m a documentary filmmaker with a focus on health and gender equity. With my partner, I co-founded Persistent Productions and have been living between Boston and Singapore for the past ten years. Since quarantine, I’ve returned to my roots in Massachusetts and am learning to live in one place.
August 17, 2020
I am a Dallas-based documentary filmmaker who focuses on underrepresented stories to bring awareness, equity, and justice to our interconnected and global society. My work is often described as experiential, emotionally-driven and defiant.
June 10, 2020
In 2013, I moved to Arivaca, Arizona, the border community in the heart of the Sonoran Desert, which is the subject of my film Undeterred. The desert is awe-inspiring, beautiful and deadly. Men and women die every day attempting to cross it. When visiting the area, you are confronted at every turn with the ubiquitous military-style presence of the Border Patrol. Living here is a daily struggle in reconciling the competing realities of small town life and the death and suffering of the border.